naked
Childhood naked, Maurice Pialat, 1969.
She looks at the car that took him away, also within a few twists its neck to see it continue. She hugs him, moist air that penetrates the morning. She turns suddenly aged, following the little stone path and up the three steps of the porch of the kitchen. It does not look at the car that turns the corner, he left, he left, she wanted no more and now she feels within her own responsibility to love. His first action in the kitchen is to take his bowl and spoon left on the table to wash them under tap water, she gently rests on the ceramic white fluted drainer used, she is slowly and this delicacy is for him, all his delicacy that remains if it can not give this spoon and the bowl is for him. It will make the beds and dispose the boy's party. Always keep the order as it is most important, it has priority, we must protect the feelings of chaos as it protects us from them. She grabs a towel hanging from his place, a bar attached to the side of the sink, she wipes her hands and slide back the towel at this point. Then she returned to the kitchen table where the girl finishes her cereal in a bowl the same as her mother just washed.
Wednesday, January 26, 2011
Monday, January 24, 2011
M Jak Milosc782 Odcinki Online
Dolopians
I lived at the end of the Phthia , and I commanded the Dolopians.
The river was that of rain and the earth seemed a continuous sand desert.
Trojan enchanted the dreams of our children, their ball rolling stone in silence
- the Mediterranean dark purple to wear veils.
I waited for the verdict of the oracles
flight of a bird, fish guts
I was waiting for heaven gapes
I lived at the end of the Phthia , and I commanded the Dolopians.
They said: Do not touch the unclean woman
do not put our finger in his blood hungry
Wait for the verdict oracles
while bent at the end:
branches of laurel, wheat heads
while writhing:
the vines, trunks of olive trees
In the hot blue steel blades lifted
sail boats
's lament Virgil.
Monday, December 20, 2010.
Wednesday, January 19, 2011
How To Make Led Christmas Decorations
Giraffe
Looking across a neck warmer, yes purple, that of the girl. I go with the big bad for the neck warmer. I apply myself to walk not annoy me sighs behind me, slave and child bag of lead. It was too hot he took off his mittens. I found him a cramped air more than usual, I'm back on the march to suck vigorously. Later I returned I was waiting approach and I see it: the hat low over his eyes red cheeks that can do more, he has two neck warmer, above the blue violet. Incredulous I advanced, he said "what" with the voice shattered an eleventh plague of Egypt.
Looking across a neck warmer, yes purple, that of the girl. I go with the big bad for the neck warmer. I apply myself to walk not annoy me sighs behind me, slave and child bag of lead. It was too hot he took off his mittens. I found him a cramped air more than usual, I'm back on the march to suck vigorously. Later I returned I was waiting approach and I see it: the hat low over his eyes red cheeks that can do more, he has two neck warmer, above the blue violet. Incredulous I advanced, he said "what" with the voice shattered an eleventh plague of Egypt.
Tuesday, January 18, 2011
Tiffany Blue And White Candy Buffet
link to the page of The Calobra (with extract) on the website of the book Wild Shores
http://art.ooz.free.fr/wildshores/LA_CALOBRA.html
http://art.ooz.free.fr/wildshores/LA_CALOBRA.html
Sunday, January 16, 2011
Night Calls Tiffany Juli
Alternative route
I eat without looking I farm in my back pain that bar, one shoulder higher than the other, everyone in my left blind spot. My son eats his yogurt. It throws me looks I feel good I frown on any attempt to parade cons. There will still he says "Do not you want to laugh it looks like" I do not really answer by closing your eyes a little. "It seems" he says, scraping the bowl thoroughly. I hesitate before the junction that opens me this reply: To the south, I laugh a little, to the north, I tighten again. I chose the north.
I eat without looking I farm in my back pain that bar, one shoulder higher than the other, everyone in my left blind spot. My son eats his yogurt. It throws me looks I feel good I frown on any attempt to parade cons. There will still he says "Do not you want to laugh it looks like" I do not really answer by closing your eyes a little. "It seems" he says, scraping the bowl thoroughly. I hesitate before the junction that opens me this reply: To the south, I laugh a little, to the north, I tighten again. I chose the north.
London Herb And Tea Company Canada
L. Bourdelas on Leo Malet (L'Harmattan) seen by Serge Vacher
BOURDELAIS Lawrence, the author.
medievalist by training, Professor of History, Lawrence Bourdelas, born in 1962, is a literary critic and dramatic. Author of numerous books, a photographer, he directed the literary magazine The unspeakable border and encounters "Magazines and blah blah blah" in Limoges. It is what we learned back cover of the book. We can add in terms of Vache Qui Lit, Laurent Bourdelas offered us two years to participate at the "Magazine and blah blah blah." This event was the subject an article on the latest issue of the Cow (June 2007 No. 85). I remember it was I who held the stand. Both times. I insist a little on my attendance at such events as the 2006 meeting, the Pavilion Verdurier was "disturbed" by the "invasion" very peaceful, all in all, pretty nice of the Collective of Undocumented who have found a place to listen to their demands fully justified. Lawrence Bourdelas at their head, most participants with good grace, interrupted the meeting to accommodate those families distraught. It allowed me personally see that this guy has not only the love of beautiful writing, poetry and text, respect for others and sense of hospitality, but also a sense of justice, fight and the position. The 2007 show has migrated Pavilion Verdurier to the library and multimedia enabled us to meetings, "looper" informal are the salt of such events. It has been awaken our memories after the expo press subversive 70s (I can not remember the exact title). I would add about the author's gift he gave us a very fine editorial (VQL No. 82) in which he lambasted the neo-fascist ideas that seem to emerge from their dens in hollow foul which they ruminated. Lawrence feared that such ideas could be reflected in the 2007 presidential elections. But all that is past and the Cow is not about politics, eh!
PARIS.
Many writers are immediately associated with a place, a city. We have often talked about and the themes "city literature" or "polar city" have been the subject of numerous debates and studies. Paris is one of those cities that have fascinated writers. I will not get into a list of names, it would be too long, too boring, and I am afraid of forgetting. Again, let us go into this wandering in the middle of a Paris that all the protagonists of this work (Lawrence, Leo Nestor, at least) seem to know much better than ourselves and in all its many facets. writers who, unable to "break" in poetry, whereas the thriller as "in literature," were committed in the genre for "boil the pot", according to G. Simenon. Nevertheless, despite the pans that dragging (trolling yet?) crime fiction, this is the pot then that Leo Malet succeeds. It will, of course, as was common at the time, finding American-sounding surname (Leo Latimer, Frank Harding) and telling stories well glaucous. Again, for my part, I often refer to the three volumes that are part of the Library of the lover of noir: THE TRILOGY BLACK: 1 - Life is disgusting 2 - The sun is not for us 3 - Sweat The guts Ed DILIPO 10/18 (Dictionary of Literature Policewomen - Ed Joseph. K) of C. Mesplède gives us a lot information about the author Leo Malet: how he lived, how he died. Lawrence's book informs Bourdelas whoever wants to come. But all that's known! Cow and only interested in breaking news, eh! There is of course a fourth reading, a common thread: Nestor Burma, Bon. Read the book. In fact, I think the real thread of this book is Lawrence Bourdelas.
Serge Vacher
Saturday, January 15, 2011
Thursday, January 13, 2011
Why Do Black Guys Grow Their Pinky Nail
Some unpublished June 2008
the reverse pleated tall grass
glitter ears of wheat frosted blue
Great Silence dry insects
all sleep in the wind calm
Patient gardening Cistercian
always separate the wheat from the chaff
Walk to churches
their polychrome saints, their Christs injured
Consider the lights
under cover relics
Cuts corrupt arms
odor of sanctity
The blackbirds sink
the deepest narrow windows
rustling wings against the stone
just a cry and their disappearance
All sleeping under the calm wind
The ears of wheat frosted blue
My priorat ends
While sleeping under the calm wind.
the darker glows
blood sprayed into the clouds
ask the sword, fleeing
win the vast plains of pleasure
where death remains behind
still secret and speechless
Without permission
but without courage
ask the sword, fleeing
win the vast plains forgotten
and valleys of delight uncertain
where mists hang Scented
In darker glows
ask the sword, fleeing
where death remains behind
the hollow memories
the darker glows
believe in blue
the sea
fish to breath.
should probably
still sinking through the jungle
where bodies glisten in the warm rain
where barefoot avoid the bite of the snake
tread the red earth brown flowers
move forward
giants in ancient woods
lianas
still sinking through the jungle
carrying the small child washed his mud
feeding, rocking
clearing up the yellow and patient
which will deal sweetened fruit
hammock suspended
and love again
move forward
in concert disturbing invisible birds
call strident flight of monkeys
to the clearing and fresh yellow
where clear water flows in jars of clay
which will deal sweetened fruit
move forward
dig through the jungle
where bodies dripping and eyes close.
Tigers blood lying in the ferns
we foresaw that long black stripes
They peered knows what
tail folded against the body flexible
huge cross their legs
pending and green
light rain and warm
fell intermittently
gently wetting Women
perched in wicker baskets on the bodies of elephants
Swing walking
rifles which gleamed.
Wednesday, January 12, 2011
Luna The Lion Lovegood
Listen again Bourdelas guest on Radio Kaolin in 2008 ...
http://septdix.musicblog.fr/873508/TOURNEZ-LES-PAGES-avec-laurent-bourdelas/
http://septdix.musicblog.fr/873508/TOURNEZ-LES-PAGES-avec-laurent-bourdelas/
The Incredible Holiday Light Show
Untitled
I read part of the night the blog of a dead woman. She wrote about her illness prevails. I do not know why I know why I'm so left. My daughter wakes up in tears I lie down beside her I continue my reading on small screen glows in the dark. I learn something important nameless feeling I think that to do with the vacuum. As usual I would be afraid but it does not come, nothing fills that space open.
I read part of the night the blog of a dead woman. She wrote about her illness prevails. I do not know why I know why I'm so left. My daughter wakes up in tears I lie down beside her I continue my reading on small screen glows in the dark. I learn something important nameless feeling I think that to do with the vacuum. As usual I would be afraid but it does not come, nothing fills that space open.
Tuesday, January 11, 2011
Bellybutton Staph Infection
irregular warfare (unpublished)
It used to call this collection of human intelligence: I was one of these officers with honorable contractors meeting correspondents interested in working with the Service for various reasons: love of country ( " support, guide our avenging arms ... "), professional or sentimental disappointment, risk appetite, feeling of playing in a movie in black and white 50s, and many other things, the more obscure , mysterious and ultimately inexplicable - perhaps organic agenda gut or heart. The information was good, mostly, interesting, useful and not cost us a good dinner in a fancy restaurant but discrete, these institutions no indication plate to ordinary mortals. I was working of course also with agents paid by the Service, effective professionals, for which the partitioning was required. We were dressed like young professionals or university we attended, we were friends with journalists, young women graduates to address books well stocked, Europe was our territory: Paris, London, Barcelona and elsewhere.
It used to call this collection of human intelligence: I was one of these officers with honorable contractors meeting correspondents interested in working with the Service for various reasons: love of country ( " support, guide our avenging arms ... "), professional or sentimental disappointment, risk appetite, feeling of playing in a movie in black and white 50s, and many other things, the more obscure , mysterious and ultimately inexplicable - perhaps organic agenda gut or heart. The information was good, mostly, interesting, useful and not cost us a good dinner in a fancy restaurant but discrete, these institutions no indication plate to ordinary mortals. I was working of course also with agents paid by the Service, effective professionals, for which the partitioning was required. We were dressed like young professionals or university we attended, we were friends with journalists, young women graduates to address books well stocked, Europe was our territory: Paris, London, Barcelona and elsewhere.
But I was doing sometimes with periods of Investigation Intelligence Unit open source, which exploited resources specifically provided by the specialized press, commentators, some specific databases and computer, or with the intelligence unit of origin image, which scrutinized the photographs original aerial or satellite acquired by our observation satellites. It was not uncommon to detect and characterize human activities in areas that interested us particularly, and even preventing European partners also involved.
I was comfortable in this parallel world that distracted me from my perpetual anguish, and convinced that nothing bad would happen eventually - trust my fate entirely justified, as I write this now, without anything untoward happened either. At twelve years on the beach of Port-Louis, drying on my towel in front of the alignment of the cabins, I was reading the adventures of Langelot in Green Library Hachette, written by a mysterious Lieutenant X. He belonged to the National Information Service Functional, showed his card lieutenant reproduced within each volume. He wore the badge 222, his photograph appeared stamped over his signature and fingerprints was a young blond sporty. The following statement was printed: "has the obligation to all civil and military authorities to facilitate the execution of the tasks of the incumbent. " On September 8, 1977, judging by the copy stored in one of my libraries and annotated from my hand, I was reading ;: An offensive signed Langelot , where a sinister Mr. T. threatened the world. Two years later, a student, I wrote to the Service to propose my services. While not surprised, I received a reply, rather engaging, telling me that I was still a little young, it would be useful that I may my service military, for me to graduate and I speak at least one foreign language. All conditions were met during my visit a few months in St. Cyr Coetquidan - my battalion with the motto: "Officers called - the audacity to serve" . The name of the sponsor of my promotion was Montfroid. Convened at the end of my classes at the command post located in the former museum of remembrance, I was just surprised that an officer that I did not know me back my letter of adolescents. After the interview, I was sent for 8 months as an officer cadet at La Courtine, before joining the Service and to continue my graduate studies, my "hedging."
In September 1986 took place a series of bombings in Paris , claimed by Hezbollah pro-Iranian. On 8 March, a team of journalists chain Antenne 2 was removed by Islamic Jihad Beirut. Faced with irregular warfare, we must conduct a secret war without respite. Then the old questions no longer arose: hands dirty should be. There was a just war: that we who were leading, not emotional. Contacts, infiltration, poisoning, misinformation, traps. False impression to make history or change it.
I read Agrippa d'Aubigné:
... waves so clear
Who had sapphires and pearls contrary
our dead are red and the sweet sound of their waves,
Their pleasant murmur strikes against the bones. "
Life strange, as in a tragic romance. We had more identity and live and pensions as The Wrestlers painted in 1905 by George Luks. One day I saw this oil on canvas Boston Museum. Taut body, entwined in suffering, strength and will. A possible representation of humanity: skin against skin, love, hate, fight. All these years I was one of those men, but which one? Now dominating the other, wishing to submit a violent force coming down through the ages, sometimes subjected, flying buttress, the body tense head to foot and looking at the world upside down.
We did not win. But we knew many things that others do not know. Oil, power, religion, networks, clans, disinformation. We learned a fraction of the secrets of the World, we went to the other side of the mirror, have lived parallel lives, evolved into the double play of appearances and lost illusions. The return to what others believe is the real was like a terrible descent: we end up holding the ignorant believe the truth, with ideas to organize the world and believing, as before, that democracy was not a chimera. Some we spoke with accents of law because it was patronizing their business. We listened to half a smile on his lips, remembering the dark corridors, pestilential odor, to closed rooms and the acrid smell of weapons cooled between metal powder and fat.
We did not win. The game continued. I left the Service after 7 years. I saw nothing, heard nothing, knew nothing, said nothing. It's as if all that had not existed. The struggle that leads the world did not stop, and the dark forces have brought down the towers, confining and torturing men transported from one continent to another, blowing up children in markets, dismember women in the street. Undetectable planes bombed the mountains mutants and soldiers who never sleep at night with their scrutinizing eyes infra-red - like drugged assassins time Old mountain they face in silence, a sharp knife in hand to cut their throats.
Sunday, January 9, 2011
Marine With Amblyopia
A reading of Lawrence Bourdelas in March 2011!
Sunday, March 13, 2011 at 11 am sharp, Isabelle and Laurent Cardona Bourdelas, accompanied by violinist Alexandra Lacouchie, read excerpts from the new book by Lawrence Bourdelas, King Valley - Children and other times (Big Text Publishing), at Gateway Theater in Limoges (free admission). The reading will be followed by an aperitif. We hope to large audiences ...
Sunday, March 13, 2011 at 11 am sharp, Isabelle and Laurent Cardona Bourdelas, accompanied by violinist Alexandra Lacouchie, read excerpts from the new book by Lawrence Bourdelas, King Valley - Children and other times (Big Text Publishing), at Gateway Theater in Limoges (free admission). The reading will be followed by an aperitif. We hope to large audiences ...
King of the Valley
"Bourdelas in his way (story in fragments) and although growing auto-fiction, sort of illusion of continuity vagissante womb of a novel because his writing has the power to transform the "raw" (...) On various pretexts (...) which could resemble a collection becomes the surest way to save the literature by giving it a vitality that too often fails him. "
Gavard Jean-Paul Perret, critic and professor at the University of Haute-Savoie .
"... it is the moment after you revive, the relative ease of nascent seventies, relaxed culture, Colorful, ironic that follows the voltage of the previous decade, the parsimony of life, the tenacious shadow of tragedy. My first students, who were your age, wearing plaid jackets, practiced evasive style and in substance, would expect nothing specific, only waited. In this, they found nothing unusual as they were passed without so that I I watched this time, and now, as a fallout that subsequent years have only precipitate. "
Bergounioux Pierre, writer.
Parts Of A Ship Diagrams
In March 2011, resumed at Gateway Theatre of Limoges "BOXES" Agniau MN, directed by L. Bourdelas! The
Reservations (11,12 and 13 March): 05 55 79 26 49
"I have known Marie-Noëlle Agniau at the Poets' Spring 2000: I had read texts of poets - including his own - the bar's Old Cheerleaders of La Baule in Limoges. That was when I created the literary magazine The Unspeakable border where I had retained some of his texts. At this time she gave me to read the voluminous manuscript of his account BOXES , breathtaking emotion, rage, poetry. At the same time, she gave the text to Michel Bruzat, theater Gateway , whom he liked immediately. The actor and Jean-Paul Daniel was planning to adapt to the scene, but left the area. Large Text Publishing have published a revised version, which referred also to the learning of writing.
I wanted my turn to try and put this text on stage and Michel Bruzat me proposed to do in theater Gateway, with the young actress (Conservatoire de Limoges) Nathalie Keelboat. The collective Wild Shores - who also likes to enjoy my work and that of Marie-Noëlle Agniau - has agreed to make an epilogue beautiful form of sound projection inspired by a photo of Marie-Noëlle child and one of his quotes. Finally, another great show of confidence, Jean-Pierre Simeon, artistic director of the Spring of poets who rose to the moment Philoctetes in Paris, gave the label National Spring poets BOXES. It must be said that publication, the literary critic praised the book.
For me, climbing BOXES represents a series of challenges: first, that of adaptation, because the book is much longer, without punctuation, and fun (as he thinks) the concrete work of the writing with the typewriter - that will be well on stage. The challenge is also to make the emotion without sinking or in the flatness or in hysteria. The clever and proposals of the actress could help me a lot. The aim is to suggest that history with multiple voices, beginning with those of heroin - Claire - at different ages: small, adolescent, young woman who can become emancipated from the literature and writing. Claire is struggling to confront reality and to others in the playground and in life. Her mother is pervasive, sometimes a little crazy. The father is back. Regularly, because the art of it, an officer must move to break with the habits and possible incipient love, learning to be happy alone. And then there's the tragedy of the little brother, Paul, who disappeared. How to accept the injury, how to live with grief, but also exceed it? The answer is that of poetry and perhaps philosophy ... The text is very poetic, sensitive, but sometimes very funny ... and, as in children's language, it sometimes jumps the rooster to the donkey. This text is designed as an odyssey, with reference to that of Homer and Odysseus Joyce. A reflection on the origins, too, real or imaginary, multiple Sicilian, Tunisian, Brittany ... maybe Jewish. The critic Philip Biget could say that it was "A language that knows no fear, nor the absolutism of childhood, or Women's requirement ... " and I think the other challenge is to understand that this is a feminist text (or female) to see for young girls, young women and mothers! " Lawrence Bourdelas
Glance
" Compendium of texts to read in one breath, Boxes confirms the breadth of literary talent Marie-Noëlle Agniau. Here we are immersed in the overflow of the head of a little girl who thinks too and pours everything she sees, smells and feels. One of the merits of this little book is to make us hear the voice of a child, but without the filter of adult she has become a pure voice. Text probably prior to the poems published elsewhere, Boxes said the pain of not loving, complex relationship with the mother, extreme attention to the habits, codes of conduct, the entourage. The purpose is served by a script worked and where the verb deconstructed shakes Page soundbites short and repetitive, in the tradition of Joyce and, more recently, a Tarkos or Prigent. "
Olivier Thuiller, Machine Leaves , CRL Limousin.
"Marie-Noëlle Agniau Boxes develops in writing that gives a great spontaneity, even if it is the fruit of a scholarly construction. An expression that sticks to the childish talk, and especially does the same genesis chaotic reverie (not only child). This results in an unrestrained prose, not avoiding any cock-and-l'âne, mocking the punctuation and syntax (...) The language itself is objectified and becomes the main interest of the book. Dru language (...) who is not afraid of anything, or the absolutism of childhood, nor the requirement of women (...) this language that advance all costs and awaken in us the desire to reconnect with random structure of memory, affect and thought, with the very nature of the fertile soil that lies within each of us and that invites us to abandon civilization. "
Philippe Biget, Wasteland No. 95.
"Marie-Noëlle Agniau has breath, an elegant density, with sometimes the appearance of extreme brutality and is a poet. Definitely. His pace takes us. (...) One day of drunkenness, Verlaine has broken its own box (boxes), where the jars were kept fetuses family ... "
Bourdelas Lawrence, The Inexpressible border 8.
Wednesday, January 5, 2011
How Often Can You Take Lorazapam
Calobra National selection of Poets Spring 2011
For information: in "Current Poets 'Spring' - program to show , national selection
in the theme of Spring 2011: "On the infinite landscape"
http://www.printempsdespoetes.com/ in partnership with Ministry of Education / Department of Culture
The Calobra show performance Bourdelas Lawrence / Wild Shores to be programmed into theaters, libraries, gardens, schools, etc. .. . (possibility of meeting with the author after the performance) |
Created in 2008 at Theatre 7 Expression in Limoges, then taken before a full house the Library of Limoges French media the following year, it's vocal, sounds and screening of a poetical hymn in Majorca that carries the audience for 45 minutes. The book, prefaced by poet & philosopher Marie-Noëlle Agniau, postfacée by poet & academic Beatrice Bonhomme, is a poetic reminiscence of the author's two trips to Mallorca in the mid 80s. It includes what the charm of the author: a "exoticism revisited", fed by the place names & characters from the past, but also allusions to art ... The university & Critic Jean-Paul Perret Gavard-wrote, about this work: "... the evocation of landscapes past becomes the thing that is not resigned to die and continues to serve and not to live in the past but for the future ... . Creating Optophone Wild Shores is a square meal that becomes, by the grace of the projection, a virtual Mediterranean, and variously colored moving over the text. Magical sounds that accompany the text. The audience sits in front of or around and contemplate, meditate and listen. Wild Shores is a collective of musicians, visual artists created in the early 90 to Limoges (France) by Evelyne Hebey, Fred New, and Marc Roques. They develop around a musical work, audiovisual multi-disciplinary processes - installations, performances and video triptychs - and experimenting with possible interactions with the new multimedia tools. Their work reveals a sensitive, poetic and unique reflection on our environment. |
Would Regular Blood Work Show Signs Of Hiv
Small talk shifted to News magazine (June 2009)
Lawrence Bourdelas
historian, writer,
poet, hunter images
A family outing on the Plateau Millevaches.
Lawrence Bourdelas
historian, writer,
poet, hunter images
If you had not been a man of letters?
ROCK STAR!
A book?
"The Three Musketeers "And their consequences.
film?
" Paris Texas ".
An animal?
The robin.
A hobby?
Reading (but it is much more than a hobby!)
A Place at Limoges where you enjoy walking?
The Benedictine station.
ideal Sunday?
A family outing on the Plateau Millevaches.
Next Vacation?
To Saint-Jean-de-Luz.
What you would change in Limoges?
Development of the Republic Square, I hate it!
Interview
by Jean Desnoyers
Sample Temporary License For Ca
Bourdelas Lawrence, Fragments of a journal of the East India Company, Volume II, Inks Vives The January 2002
The blue eyes
JM Le Guen had written in a recent issue of Poetry -sur-Seine a "certain kinship with former
pressure existed between authors' published by Michel Cosem. This desire of everyday life, the simplicity,
touch can be found in the latest book of Laurent Bourdelas who paints for us the fragments scattered
a journal of the East India Company.
.
Up soaring seagulls
a wave does not wrinkled
his blue eyes.
.
the edge of the beach
he expected the deployment
flexible sails.
.
These "flaps" were written in Port-Louis, Morbihan or Vicq-sur-Breuilh, south of the Li-
mousin, the first being that of childhood and the second the current place of residence of the poet. The imaginary
nary of the poet is one who surrounds him and that he surrounds himself: the titles of poems are there like
pebbles scattered on our way: "Groix", "Locmalo", "Gâvres", "Oriental", "The cause and concern,"
"Eucalyptus", "What I saw in Port-Tudy Groix January 1 2002 "," The Lohic "," The Groac'hs "
" Etel "," The Perfumed Garden "," Laurel mache, "" The Mission "," Nile Red "," Tuscany ". So many places,
many geographies, all faces of the seas, many landscapes discovered, as many territories
build for our imaginary readers. The nature of the sea, sea nature, everything is there to
we remind the world of poetry, so to life
.
erasure is cold
tragedies washed finally
the slow disappearance
bodies too proud to have lived,
flow endless tears
and the triumph of cobalt
.
The poet then painted before we are all Marines who gardens for our memory:
.
One looks in vain for the roses,
tenuous memories of flowers
and leaves ,
recent fallen nuts,
fish in the mud
and this mirror.
.
- life is a
tits paradise.
.
So what are we waiting for us to fly? Car:
.
the blue paradise
birds
opposes violence
bar man-eater
sand flush and then disappears
and wave
prevail forever
the proud who wanted
tame
.
Like birds Laurent Bourdelas, we all have blue eyes.
George Sedir
George Sedir
.
Answers To The Ap Lab 5 Cell Respiration
Calobra, L. Bourdelas, from the preface of Marie-Noëlle Agniau
Here, the sun bursts, the whole man is an island, something was lost. Children are witnesses to what strikes the appointed hour by lightning. Names have a song, a smell of almonds. The sky is blue and clear, dissolved solids boats and houses. The drinking water fountains. The body has plagued him all obstacles that prevent it from being: past, pain and even death.
[...]
The words here make you thirsty. And hungry. The body belongs. The island is his home. His openness to the world. His music. Love dancing in it. Here memories are made as a basket, woven of leaves, air and heat. Blue sky and clear, milky. Here there is no return. The word is a gasoline depressions in the skin - that of a country whose azure is a trap. As the companions of Odysseus, the poet wants to stay.
Preface pp. 3-4
[...]
The words here make you thirsty. And hungry. The body belongs. The island is his home. His openness to the world. His music. Love dancing in it. Here memories are made as a basket, woven of leaves, air and heat. Blue sky and clear, milky. Here there is no return. The word is a gasoline depressions in the skin - that of a country whose azure is a trap. As the companions of Odysseus, the poet wants to stay.
Preface pp. 3-4
Discover blog Agniau MN:
Monday, January 3, 2011
What Is My Ethernet Address To Use To Instalmaya
About the No. 1 magazine The Unspeakable Bourdelas border that ran from 2001 to 2008
This new literary magazine, nice presentation, good paper, wide margins, very readable characters, comes from the Limousin. But let there be no mistake, the unspeakable border does not indicate the line of demarcation between states or regions, rather it suggests the path problem, even in the raw poetry, rough road dotted. The two leaders of the magazine, Marie-Noëlle Agniau Bourdelas and Laurent, took the gamble of echoing the voices of poets known or unknown, whose means, punctuations and language are the very diverse (Marie-Noëlle Agniau, Pascale Calla Frugier Gerard Michel Gabet, Lacouchie Alain Bernard Christmas Roufflanche Joseph, Jean-Pierre Thuillat). But it is especially under the theme "Take language," the magazine, through the combined contributions of Bourdelas Laurent, Jean-Paul and Chavent Mialon Partrick, displays its determination to resolutely novelty a bit provocative. The language of poets do not despair of the oral stage and the anal stage:
"He finishes, and licks, and savings"
(L. Bourdelas)
"She is in my mouth / and in your sex / Enigma where we bathe "
(JP Chavent)
" The languor is the language of the River. "
(P. Mialon)
To greet this bravura, let us remember that Jean-Pierre Brisset, for that man descended from the frog, assumed a unit of language, an ineffable boundary between the French and German example. He naturally had its say on the expression to language, which was also taken literally on the cover thumbnail of The Inexpressible Frontier, "Ask said Verlange. To indicate we are asking what can be more expressive than to language, or lengthen language on the lips? We know that god Gott German or lived in France where the Bigotte kissed. "
The Inexpressible border
Georges Sebbag, La Revue des revues , 2002
This new literary magazine, nice presentation, good paper, wide margins, very readable characters, comes from the Limousin. But let there be no mistake, the unspeakable border does not indicate the line of demarcation between states or regions, rather it suggests the path problem, even in the raw poetry, rough road dotted. The two leaders of the magazine, Marie-Noëlle Agniau Bourdelas and Laurent, took the gamble of echoing the voices of poets known or unknown, whose means, punctuations and language are the very diverse (Marie-Noëlle Agniau, Pascale Calla Frugier Gerard Michel Gabet, Lacouchie Alain Bernard Christmas Roufflanche Joseph, Jean-Pierre Thuillat). But it is especially under the theme "Take language," the magazine, through the combined contributions of Bourdelas Laurent, Jean-Paul and Chavent Mialon Partrick, displays its determination to resolutely novelty a bit provocative. The language of poets do not despair of the oral stage and the anal stage:
"He finishes, and licks, and savings"
(L. Bourdelas)
"She is in my mouth / and in your sex / Enigma where we bathe "
(JP Chavent)
" The languor is the language of the River. "
(P. Mialon)
To greet this bravura, let us remember that Jean-Pierre Brisset, for that man descended from the frog, assumed a unit of language, an ineffable boundary between the French and German example. He naturally had its say on the expression to language, which was also taken literally on the cover thumbnail of The Inexpressible Frontier, "Ask said Verlange. To indicate we are asking what can be more expressive than to language, or lengthen language on the lips? We know that god Gott German or lived in France where the Bigotte kissed. "
Artiste Rings By Scott
On France Culture ...
" One of the best interviews of 2003, " Arnaud Laporte, about his program on the Trail indigo - Fragments of Port-Louis Laurent Bourdelas, for replay season.
" One of the best interviews of 2003, " Arnaud Laporte, about his program on the Trail indigo - Fragments of Port-Louis Laurent Bourdelas, for replay season.
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